πŸ’° The Yiddish Crooner: Seymour Rexite

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Barbasol jingle, Ajax jingle, The Yiddish Crooner At the height of his popularity in the s and '50s, Yiddish crooning sensation Seymour Rexite starred on 18 half-hour radio shows a week. The team's work also translated into highly successful advertising for Rexite's radio sponsors, which included national clients like Ajax and Campbell's Soup. Excelling in each, Rexite was poised to hone the sort of musical crossbreed that formed the foundation for some of his best remembered songs. Rexite's smooth-as-scotch tenor won him Sinatra-like adoration from female fans.

At the height of his popularity in the s and '50s, Yiddish crooning sensation Seymour Rexite starred on 18 half-hour radio shows a week. Seymour Rexitethe documentary about the crooner who sang American standards in Yiddish.

His accompanists included Sam Medoff, moonlighting from his gig as bandleader of "Yiddish Melodies in Swing," and Abe Ellstein, casino ajax jingle composed many of his hits.

Seymour Rexite through the years. But when casino ajax jingle took to the Yiddish airwaves, the bill of fare diversified. Your browser does not support the audio element. All rights reserved.

Seymour Rexite lived in lower Manhattan until his death, at the age of 91, in October Copyright Sound Portraits Productions. The blend had its roots in the marriage of Rexite and Miriam Kressyn, a popular Yiddish actress and singer in her own right. Kressyn proved an extraordinary talent at turning American standards into Jewish hits. Seymour Rexite. At its outset his career comprised an all-Jewish repertoire that spanned from liturgical song to Yiddish popular music. Who could have guessed that show tunes from Oklahoma would sound so good in Yiddish? Rexite was equally persuasive in the many venues he came to play, from Yiddish theater, radio, recordings, and film to regular gigs in upscale New York nightclubs like Billy Rose's Diamond Horseshoe and the Casino de Paris. He feared nothing, sang everything, and stayed on the air for the better part of five decades. The son of a cantor, Rexite originally spelled Rechtzeit started performing professionally while still in knickers -- the "Wonder-Boy," they used to call him. The Kressyn-Rexite concoctions struck big with American Jews. The command performance so moved President Calvin Coolidge he relented to the plea on the spot. He hadn't yet reached his teens when he sang before a special congressional committee and then at the White House in a bid to convince the United States government to allow his mother and sisters to emigrate from Poland. Example: "love and marriage," in her rendition of the well-known hit of the same name, "geyt tzuzamen vi zup un knaydlakh" go together like soup and dumplings instead of "like a horse and carriage. Whatever song happened to be popular on American radio, his wife, Miriam Kressyn, translated into Yiddish and Rexite sang on one of his shows. And Kressyn's translations, always lyrical and often lampoons, pleased and surprised careful listeners. The Yiddish Crooner.